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Sunday, 18 October 2026 Icelandic stories. Global audience.
Icelandic Life

Poet Helgi’s epic journey endures in the Skáld-Helga rímur of medieval Iceland

This fifteenth-century rímur cycle preserves a vanished saga about love, faith and the supernatural, spanning Norway, Rome and Greenland.

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Medieval Icelandic literature abounds with vivid tales, but few are as intriguing as the Skáld-Helga rímur, a cycle of narrative poems from the 1400s. This collection of seven rímur, or poetic episodes, preserves the memory of a now-lost saga, offering a blend of romance, adventure and supernatural drama rooted in Iceland’s storytelling tradition.

An ancient love story in poetic form

At the heart of the Skáld-Helga rímur is Helgi Þórðarson, a poet whose life is shaped by service to notable figures such as Erik Håkonsson and Olaf the Holy of Norway. Each ríma, a self-contained section of the narrative, opens with a mansöngr, a lyrical prologue traditional to the rímur form. The story traces Helgi’s passionate bond with his betrothed, Þórkatla. His love for her stands in sharp contrast to the misfortunes and malice that keep them apart, imbuing the verse with deep emotion and occasional melancholy.

The structure is rooted firmly in the metre known as ferskeytt, a common feature in Icelandic poetry of the time, with each of the seven poems composed with its own subtle variation. As the narrative unfolds, Helgi embarks on an extraordinary journey, travelling from Norway to Rome, where he reportedly meets the Pope, and onward to Greenland. There, in the settlement of Brattahlíð, he closes his days as a law-man, far from his homeland and lost love.

Supernatural turns and a literary legacy

From the fourth ríma onwards, the tone shifts as supernatural elements emerge. Helgi’s voyage to Greenland includes a harrowing encounter: after an old man in his company dies at sea, the corpse returns from the depths to board the ship and threatens the crew. Greenland itself is cast as a wild frontier, notorious for bandits and monsters. In this northern landscape, Helgi crosses paths with evil-doers led by a witch known as “Gríma galdra tól”, an evocative example of medieval Iceland’s fascination with the uncanny.

The poet behind the rímur remains anonymous, though it is often speculated that he was a priest or monk. The religious character ascribed to Helgi, as well as a tendency towards moral reflection over violence, distinguishes this cycle from other heroic tales. The saga which inspired these poems has not survived, but later writers created prose retellings, most notably, Gísli Konráðsson in the early nineteenth century penned a new version titled Skáld-Helga saga.

The oldest surviving manuscript of the Skáld-Helga rímur is found in Staðarhólsbók (AM 604, 4to), preserved in Reykjavík. Through both literary scholarship and translation, this remarkable work continues to offer a glimpse into medieval Icelandic imagination, where love and fate are entwined with adventure and lingering mystery.

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