Skip to content
Sunday, 18 October 2026 Icelandic stories. Global audience.
Icelandic Life

Courtly love, honour, and poetry in Gunnlaugs saga ormstungu

Composed in the late 13th century, the Saga of Gunnlaugur Serpent-Tongue weaves together skaldic verse, rivalry, and Viking-Age values in a tale that has resonated across centuries.

Colourful street with city skyline
File photo.

The Saga of Gunnlaugur Serpent-Tongue (Gunnlaugs saga ormstungu) stands as a literary bridge between medieval Icelandic storytelling and the world of courtly culture in northern Europe. Written at the end of the 13th century, this saga highlights the dramatic interplay of honour, poetry, and love during a pivotal era: the arrival of Christianity in Iceland.

Structured around about 25 verses of skaldic poetry, the narrative follows Gunnlaugr Ormstunga, whose nickname translates to either “Serpent-Tongue” or “Worm-Tongue.” As with many sagas set in Iceland’s early days, the story mixes historical echoes and legendary elements, shaping a cultural memory that was vital in the absence of written records.

A society built on honour and exchange

At the centre is a triangle: two poets, Gunnlaugr and Hrafn Önundarson, and Helga the Fair, granddaughter of saga hero Egill Skallagrímsson. A dream of battling eagles and a vulnerable swan predicts the tragic rivalry to come. The saga moves from the rural upbringing of Gunnlaugr to the bustling courts of Norway, England, Ireland, Orkney, and Sweden, tracing his travels as he recites poems to nobles and seeks to secure both honour and Helga’s hand.

Gift-giving is at the heart of Gunnlaug’s journey. In Viking-Age society, exchanging gifts was not just generosity but a structured exchange meant to settle disputes, forge alliances, and increase honour. A poem was considered a valuable gift, sometimes more lasting than gold or weapons, as a fine verse could immortalise its subject.

When Gunnlaugr offered his poetry at the courts of nobles like Earl Eric Haakonsson in Norway and King Æthelred in England, the responses, ranging from indifference to lavish rewards, reflected not only personal appreciation but also the complex social calculations of power and reputation. Gunnlaugr’s recitations in foreign courts at times even led to delicate and perilous exchanges, eventually cementing his reputation and his nickname for sharp wit.

Rivalry and tragedy

After years abroad, Gunnlaugr returns to Iceland to find that Helga has married Hrafn. The two rivals compete not only in poetry but in strength, their feud escalating first through skaldic verse and then with swords. Though duelling became forbidden after their first clash, the enmity persisted, culminating in a fatal encounter in Norway where both, true to the saga’s opening prophecy, lay claim to tragedy.

Helga, the saga’s quietly powerful centre, survives both, but dies soon after, gazing at the scarlet cloak Gunnlaugr earned in England, a last, wordless verse commemorating love and loss.

The legacy of Gunnlaugs saga ormstungu endures in both Icelandic and Norwegian literary heritage. Its focus on the law, etiquette, and poetic exchange makes it both a window onto Viking-Age society and a story of profoundly human emotion. Its influence continues in modern literature, inspiring novels and poems in several European languages.

Sources